Contemporary Art Project BRAINSTORM

Title: Contemporary Art Project or Artwork Presentation

The presentation of a Contemporary Art Project or Artwork is to take place in Week 12. Students are required to install and present their work at the Queensland College of Art and follow all risk management procedures during the assessment period. Students are required, and advised to source and book any necessary equipment or technical support required for the presentation of their Contemporary Art Project or artwork well before the assessment period.

A Mid-Semester Peer-Based Review of work will occur in Week 6. Both the review and final assessment will take the form of a group critique. Students will be given oral feedback during the Mid-Trimester Review and written feedback after the Week 12 Assessment. Written feedback will be available approximately two weeks later in the My Marks section of the Course in Learning@Griffith.

Type: Portfolio - evidence Due Date:   21 Sep 17 09:00

Weight: 80% Marked out of: 90

Criteria & Marking: 

Criteria	Weighting
Process A sound handling of materials and effects. Includes, but not limited to, evidence of experimentation, unique approaches to design and composition, dynamic attributes, and skill development in the chosen media of the presented contemporary art project or artwork	30
Concept Significant engagement with issues and ideas. Includes, but not limited to evidence and depth of research, development of ideas, and critical analysis of the subject matter of the presented contemporary art project or artwork	30
Resolution Visual and conceptual coherence. Includes, but not limited to the impact, resonance, uniqueness, contextual relevance of the completed contemporary art project or artwork	30

Submission: The presentation of a contemporary art project or artwork is to be safely installed and ready for examination in Week 12. Students will be allocated a maximum of 15 minutes for their examination in which oral feedback will be provided by an assessment panel consisting of their lecturer and external moderator.

what i am really exploring is the nature of spirituality, and how technology can be used to convey that experience in a way that allows participants to experience it. 

ar:etists and styles to research

artists that hijack a gallery space
stellarcs : fractal flesh
tank man tango

Considerations:

Execute the professional proposal for trimester 1. This proposal was to produce an Augmented Reality artwork for the SWELL festival.

additionally:

conceptual focus on pushing the boundaries of the digital and the spiritual. This will be achieved by build upon the nature of digital technology eroding the boundaries of gallery beurocratic process, conventions and physicallity, which in turn supports the focus on transentantal concerns within my practice.

The artwork will be globalised by installing the artwork within major galleries around the world using geolocation placement.

To achieve this use a geolocation AR interface which allows users to find the nearest location of the artworks. With a distance to artwork included.

Image source: Geolocation based audmented reality interface URL: https://s-media-cache-ak0.pinimg.com/736x/fa/e7/58/fae758f1ce677ee08c3a38b97bab4ba5--location-based-service-smartphone-features.jpg. (Accessed 13 July 2017)

locations for the artwork placement 

http://au.complex.com/style/2012/10/worlds-100-best-art-galleries/carmichael-gallery

http://www.nationalgeographic.com/travel/top-10/museum-galleries/

Tate gallery

Gugemhime

Artworks to be installed .. AR artworks each starting at different locations within the gallery

Ghosts at GOMA - temporality, ephemerality of the human condition. 

transformation walk - text based AR, words that once reached change the filter on the camera view (transformation through journey) 

Follow sound, tounges that you follow for a journey (spacial audio)